Gord Bamford is a Canadian country music star. He has 16 Canadian Country Music Association awards, he’s played stages from coast-to-coast, and with his brand new album, Neon Smoke, and tour, the Alberta artist is already back in the Top 10.
We caught up with Bamford in Toronto before the holidays to talk about the album, the tour, and more. And now that 2018 is in flight, we’re ready to share all of it with you!
We asked Gord about goals, 2018, and what he hopes to achieve in the new year and beyond. And while we didn’t know what to expect (sometimes artists can be vague or hesitant to share specific goals) we were pleasantly surprised when Bamford very strongly stated “oh yeah, I’ve got goals.” He went on to tell us that he’s been lucky enough to put some (16) CCMA Awards on his shelf, but he hasn’t added a Juno to the trophy case. And he wants to. Whether it comes from this album, or over the next few years, it’s on his list.
We also talked about goals for the new album, and Gord told me that when he put Neon Smoke together the goal was to find songs that could be hits. He wants his fans to love his music, he wants them to sing along, but he knows that the best way to get the music in front of them is to make it hit music. And while we can tell you that there won’t be 15 singles released from Bamford’s Neon Smoke album, we can agree with his song selection and the potential.
Note: Previously released single, Livin’ On Summertime, has already been a Top 10 hit, and that’s a good start. And the title track has now been released and can be requested at country radio!
As we sat and talked, we asked about Gord’s life outside of music, and the house that the Bamford’s are building as their new family home. He told us that he’s been onsite as much as possible, overseeing the construction and being part of the process. He’s enjoying it, though we know it’s a lot of work. And he told us that the family, including his three children, are looking forward to a 2018 move in.
That same desire to be involved in every step of the process was there during the making of Neon Smoke. Bamford told me that he had more to do with every piece of this album than he ever has before. It’s the first time that I’ve ever had the chance to compare making a record and building a house, but Gord and I both agreed that, in this case, it fit.
While 13 of the songs on the album are the solo Gord Bamford work that we’re accustomed to, Neon Smoke also features collaborations with Jim Cuddy and Tracy Lawrence, two voices with heaps of experience that make for a good combination with the Canadian country star. We asked Bamford if he had any dream collaborations in mind and the two names that he shared with me were Merle Haggard and Reba McEntire.
Sadly, Gord didn’t have the chance to work with The Hag before his passing. But, there’s still a chance that someday he’ll get to record with Reba.
In fact, Bamford told us that he and Reba have become friends over the years (since his time on tour with her in 2013). And that they’ve had the chance to stay in touch. So here’s hoping, that in the not too distant future, we get to hear that combo.
Those two collaborations from the album that we mentioned earlier both work for Bamford. The first, Ain’t It Grand (featuring Blue Rodeo’s Jim Cuddy, released as a single in September 2017 and performed live at the CCMA Awards show), is an ode to Canadiana, mentioning the Blue Jays, the east and west coasts, strong beer, buck deer, and more in the process. It’s a fun track, the kind that Canadian country fans attach themselves to, and should become a favourite at Bamford’s live shows.
The second duet, The Out Crowd (featuring Time Marches On hitmaker, Tracy Lawrence) is the last track on the album, and it’s perfectly placed. As the 15th and final song, the duet serves as a special treat, and wraps up the 48 minutes of country music on Neon Smoke.
The length of the album is something else we talked to Bamford about, pointing out the current EP and digital singles trend that we’ve seen across genres, but particularly from Canadian country artists. Gord told us that he understands the strategy, and that he sees the success that artists have had, but that he still wants to produce full bodies of work that he can release and that his fans can listen to.
From top to bottom, this is a Gord Bamford album.
It fits perfectly in his discography, his fans should absolutely latch on to it, and while we can’t predict the future, Bamford has certainly put himself in a position to add more Top 10 hits to his resume (and setlist). And who knows, he might just find himself with another Juno nomination and a chance to take home a trophy.
Gord Bamford, Neon Smoke Tracklist
1. Neon Smoke
2. Dive Bar
3. That’s What Grandpas Do
5. Love Takes Time
6. Livin’ On Summertime
7. She Looks Good In It
8. Slow Roll It
9. When I’m Drinking
10. Works The Way
11. Ain’t It Grand ft. Jim Cuddy
12. Gold To Me
13. Off The Grid
14. Little Cowboys
15. The Out Crowd ft. Tracy Lawrence
With his eighth record, Gord Bamford has shown that he understands what his fans want, what he wants to do, and how to make all of it come together.
He also knows what he wants out of a live show, and he believes he knows what the fans want too.
We asked if this tour would be the opportunity to slide in the new album’s songs and Bamford told us that a couple would be in there (we’re guessing the first two singles, and the next), but that more than anything else, this would be a show of hits.
Much like Garth Brooks told us in March 2016 during his Hamilton, ON show, Gord said he hates buying a ticket for a show only to see the artist play all the new stuff nobody knows, and none of the songs they’ve loved forever.
So, with that said, fans should expect the Neon Smoke Tour to be packed with hits, fan favourites, and all kinds of songs that you can sing along to. We’re betting that it’ll be an impressive setlist… and if we were being greedy, we’d say it would probably make a pretty good opportunity for a live greatest hits so far album. Just sayin’.
Gord Bamford won’t be alone on tour, with Aaron Goodvin set to join him on the 29 dates, starting in Ontario and heading west. The Lonely Drum singer should make for a great opening act on tour, getting the crowds into the action and ready for a good night.
We also asked Bamford about the venues he’s playing, and he told us that the opportunity to play some smaller, more intimate rooms is something that he’s looking forward to. And as much as we love big production arena tours, we know how special a theatre experience can be too, and a tour that embraces that has the chance to create a lot of special moments.
The Neon Smoke Tour runs from January 24 to March 2, starting in Brampton, ON and finishing up in Kelowna, BC. If you want to see Gord Bamford play some of the new album, and load you up with hits, get your tickets!
Gord Bamford, Neon Smoke Tour Dates
🎤 January 24, 2018 – Brampton,ON
🎤 January 25, 2018 – Nepean, ON
🎤 January 26, 2018 – Windsor, ON
🎤 January 27, 2018 – Richmond Hill, ON
🎤 January 28, 2018 – St. Catherines, ON
🎤 January 30, 2018 – Meaford, ON
🎤 January 31, 2018 – Brantford, ON
🎤 February 1, 2018 – Burlington,ON
🎤 February 2, 2018 – Milton, ON
🎤 February 3, 2018 – Kingston,ON
🎤 February 4, 2018 – Guelph, ON
🎤 February 6, 2018 – Peterborough, ON
🎤 February 7, 2018 – Belleville, ON
🎤 February 8, 2018 – Sherbrooke, QC
🎤 February 10, 2018 – Halifax, NS
🎤 February 11, 2018 – Moncton,NB
🎤 February 12, 2018 – Sudbury, ON
🎤 February 14, 2018 – Thunder Bay, ON
🎤 February 15, 2018 – Winnipeg, MB
🎤 February 16, 2018 – Regina, SK
🎤 February 17, 2018 – Lloydminster, AB
🎤 February 18, 2018 – Whitecourt, AB
🎤 February 20, 2018 – Fort Saskatchewan, AB
🎤 February 21, 2018 – Camrose, AB
🎤 February 23, 2018 – Lethbridge, AB
🎤 February 24, 2018 – Medicine Hat, AB
🎤 February 27, 2018 – Nanaimo, BC
🎤 March 1, 2018 – Sidney, BC
🎤 March 2, 2018 – Kelowna, BC
Meghan Patrick has a brand new album on shelves, she’s on tour with the James Barker Band, and she’s got a lot of feelings about it.
We had the chance to catch up with Meghan for a Q&A that touches on her sophomore record, Country Music Made Me Do It, the Game On Tour, her latest music video, busking to make money for boots and beer, and more.
Get ready for Meghan Patrick to come to a venue near you on the Game On Tour, and as shes adds more live shows to her 2018 schedule.
If you’ve never had the chance to see Meghan live, we highly recommend that you take advantage of any chance you have to do so. It’s a kick ass show that blends energy, hit songs, fan favourites, and everything we love about live music!
We’ve seen photos and reviews of early shows on the Game On Tour, and so far it looks like the Bowmanville, ON native is doing exactly what we know she can. We can’t wait to see the show with Jojo Mason, Meghan Patrick and headliners, James Barker Band when it comes to Toronto on Friday, January 19.
Thanks again to Meghan for taking the time to catch up with us. Check it out now, and listen to Country Music Made Me Do It today.
Meghan Patrick Q&A
Q) How does it feel to have Country Music Made Me Do It as a follow-up to Grace & Grit ready to share with the world?
Meghan) As with Grace & Grit, it’s a mixture of excitement, anticipation and anxiety haha. I’m really proud of this record, as I feel like I’ve grown a lot as a writer and artist, and I just hope my fans love it as much as I do.
Q) Going into the writing and recording of Country Music Made Me Do It, did you find yourself making an intentional effort to try new things, explore new ideas, etc.?
Meghan) Definitely. But I also wanted to be cognizant of what my fans responded to on the last record, so that I could give them more of what they love. It was extremely important to me to be really honest and real on this record… both in the way I deliver my music sonically and in my lyrics. I think it’s something my fans expect of me and love about me, and as an artist and writer, it’s the most fulfilling (and only way in my opinion) to make music.
Q) Was there anyone new that you got to work with on this record that you were really looking forward to, either on the writing side or production?
Meghan) When I met Jeremy Stover (my producer) that was a huge part of how this record came to be. It started with us writing together, and lead to him setting me up with some of his writers at Red Creative such as Kelly Archer and Adam Hambrick. There are so many talented songwriters in Nashville, but it’s all about finding the ones you have chemistry with and Stover and I definitely hit it off when it came my music and the vision we both had for it. I loved that he was as passionate about making this record as I was and he really brought out the best in me throughout the whole process. Kelly was a big part of this record too, she co-wrote nearly half the record with me, including Feel Me Gone which is the only song on the record I didn’t write. Every writer I worked with on this record brought something amazing to the project and helped me further find out who I am as an artist and a writer and I have so much love and respect for them all!
Q) The reaction to Country Music Made Me Do It has been positive so far, including for the video. What was it like to have the streets of Nashville act as your set when you think back to first getting to town and walking them as a visitor and new-comer?
Meghan) It was a pretty incredible full-circle moment for me shooting that video on Broadway. The first time I came to Nashville was about 8 years ago… I was broke and trying to make it, and I had paid a lot of my bills through gigs and busking. We were heading to Bonnaroo and I could barely afford the trip to begin with, but when we got down to Broadway I saw this pair of cowboy boots that I loved. So I stood on the corner and busked for a few hours till I made enough money to buy the boots and a few beers (which is basically what I still spend all my money on haha). To go from that moment where I had no money, no record deal, nothing… to having Broadway shut down to shoot my video was huge, it’s a moment I’ll never forget.
Q) We remember shows and albums from The Stone Sparrows, how important do you feel those years and experiences have been to you as you’ve built your solo career?
Meghan) Every single thing I’ve done, and every band I’ve played in has had an influence on who I’ve become as an artist today, as well as influencing my writing. I am so grateful to have worked with so many great musicians over the years and I’ve learned something and been inspired by every one of them.
Q) You’re not the new kid in town anymore after the success of Grace & Grit, the CCMA Award, etc., has that changed the way you approach making new music or putting on a show?
Meghan) I wouldn’t say it’s changed me, if anything I just feel more pressure sometimes as if there are more expectations of me now. But regardless I am always trying to top myself… write better songs, put on a better show, and connect with my fans. To have the recognition I received this year at CCMA’s and CMAO’s just gives me the boost I need on the hard days to keep pushing, and know I’m doing something right.
Q) The Game On tour is ready to go, what are you feeling as you get ready to cross the country and play some of these new songs for country fans?
Meghan) I am so excited. A little anxious, because of course I’m curious as to how my fans will respond to the new music… but I’m very proud of this record and I’m excited to finally play some new tunes!
Q) In 50 words or so, can you share some thoughts about what Country Music Made Me Do It means to you as a collection of songs at this point in your life?
Meghan) For me this record represented a few things. It represented some more freedom, but also higher expectations. As I said before, I want every record I put out to be better than the last. I want to keep trying new things and growing while remaining the Meghan that my fans love.
As with my last record, it’s a collection of stories… my hurt, my happy, and everything in between. I hope it serves as further insight into who I am, because it’s really important to me to be approachable and relatable to my listeners… I hope they love this new music as much as I do!
On Friday morning, Maren Morris excitedly announced on her social media channels that I Could Use A Love Song will become her first solo #1 hit on the Billboard Country Airplay Chart. It is a major achievement for the young country singer who has turned heads with her voice, energy, and most importantly talent since she introduced herself to country fans.
It’s a big deal for Maren Morris, it’s exciting for her fans, and it should be. Having the number one song in the country should always be seen as an achievement. However, in the case of Maren Morris, and other female country stars, this achievement and excitement comes far too infrequently and that matters too.
Almost 2 years ago exactly (Jan 19, 2016) Morris released her debut single My Church. The song launched her career, became her first top 10 single on the country airplay charts (reaching #9), and went on to win a Grammy for Solo Country Performance of the Year in 2017. Now, I understand that it takes time for new singles to chart and climb the charts to reach their highest point, including #1. But, if we use the last two years as a sample size of 104 weeks, we can see the ongoing trend, and unfortunate reality, that it really doesn’t matter how long a female country artist waits, or how good her song is, number one probably isn’t coming.
In 2016, four weeks of 52 saw solo a female artist at #1 On the Billboard Country Airplay chart. Both Carrie Underwood (Heartbeat, Church Bells) and Kelsea Ballerini (Dibs, Peter Pan) earned and celebrated those spots, as they should have. In 2017, only two weeks out of 52 saw the same result, with Lauren Alaina (Road Less Travelled) and Carly Pearce (Every Little Thing) each earning one week at #1.
In two full years of country music releases from women, six songs accounted for less than 6% of weeks spent at #1 on radio in the country. That’s not good.
If we want to start splitting hairs and getting generous to make the numbers look better we can add six more songs that were duets featuring female artists. But it should be noted that all of them were released and listed as singles by male artists featuring their female duet partners. With that increase 5.75% turns into 12.5%, and that’s still not good.
|Carly Pearce||Every Little Thing (Nov. 25, 2017)||Kane Brown ft Lauren Alaina||What Ifs (Oct. 28, 2017)|
|Lauren Alaina||Road Less Travelled (Apr. 22, 2017)||Thomas Rhett ft Maren Morris||Craving You (Jul. 22, 2017)|
|Kelsea Ballerini||Peter Pan (Sept. 24, 2016)||Kenny Chesney ft Pink||Setting The World On Fire (Nov. 5, 2016)|
|Carrie Underwood||Church Bells (Jul. 30, 2016)||Dierks Bentley ft Elle King||Different For Girls (Oct. 1, 2016)|
|Carrie Underwood||Heartbeat (Mar. 26, 2016)||Chris Young with Cassadee Pope||Think Of You (Mar. 14, 2016)|
|Kelsea Ballerini||Dibs (Mar. 5, 2016)||Luke Bryan ft Karen Fairchild||Home Alone Tonight (Feb. 13/20, 2016)|
I’m going to take one minute to try to ensure that none of this is twisted. I believe that male country artists deserve to reach #1 on the charts if they release good music and the achievement is warranted. And there are groups and duos with female members that have topped the charts as well. But, like all requests and attempts to reach equality and/or fairness, this is not about putting down one side to raise the other up. This is about recognizing, and acknowledging that all the pats on the back we’ve given ourselves as fans and industry have not remedied the issues that became widely recognized with Tomato Gate in May of 2015.
And that brings us to something else that happened on Friday. About an hour and a half before Maren Morris tweeted about going number one, Kelleigh Bannen tweeted about a meeting she had where and she was told, “the numbers still say women don’t want to listen to other women”.
Also was told “the numbers still say women don’t want to listen to other women” in a meeting on Wed. People have been saying this to me for 8 years. I practically have my doctorate in people saying this to me. But sorry—still a woman, still over here trying to make music. 👋🏼
— Kelleigh Bannen (@kelleighbannen) January 12, 2018
To learn that an artist was told this in a business meeting about her career is sad and discouraging. And I acknowledge that as neither an artist, or more importantly, a woman I truly cannot comprehend the full weight and impact of that kind of statement.
But as a man I do feel qualified to say that a three-part response to that tweet talking about how great of an ally you’ve been to female artists in country music is misplaced at best and a “not all men” statement at worst.
I have great respect for the career, accomplishments, philanthropy, and work of Bobby Bones. However, I don’t believe that replying to Kelleigh Bannen’s frustration and displeasure with statements like “All the meetings I’m in while discussing format in macro sense, it’s the opposite.” and “Rome won’t be rebuilt in a day. But some of us started nailing together boards a long time ago” is helpful.
We get it Bobby, you’re a friend to women and support them on your show. But it doesn’t change the systematic flaws that resulted in 5.75% solo female #1 hits in 2016/17, or an even smaller 3.3% since the chart started in October 2012 (9 of 271 weeks).
The list of women who have made great country music in the last two, three, four, five years is incredible. And yet, artists including Miranda Lambert, Cam, Jennifer Nettles, Kacey Musgraves, Reba, and even Taylor Swift (before her genre-shift) haven’t reached the #1 spot on the Billboard Country Airplay charts since its debut on October 20, 2012.
Note: This post has been entirely focused on the US market, but could be replicated for Canada where the charts are eerily similar in their lack of female representation, and have seen no Canadian women reach the top in that five year period.
Country music fans, artists, and other industry members have long known about the quality and talent that Morris brings to the table. Hell, her album, Hero, reached #1 on the sales chart. But here we are, 43 weeks after I Could Use A Love Song debuted, celebrating it as her first number one single. It has earned and deserves every single one of the spins that it receives at country radio. It is a well written, well sung, and well produced track. And, it has certainly earned that #1 spot on the Billboard Country Airplay chart.
Note: In September 2016 during 5 Quick Questions interviews, Shae Dupuy and Kira Isabella both named Maren Morris as the artist they thought people should be paying more attention to. And in October 2017, three-time Canadian Country Music Association winner for Female Artist of the Year, Jess Moskaluke gave the same answer in her 5 Quick Questions segment. It is no secret that Maren Morris has been, and continues to be, one to watch.
Unfortunately, I don’t have any quick and easy solution for this situation. It seems to me that the only remedy would be the decision of country music radio program directors to play more songs by women more often.
As fans we have the opportunity to use our personal platforms, like social media, to advocate for the female country artists we love. We can request their songs be played by our local country stations, and we can continue to stream, download, and share their music.
Leave a comment here with the name of the female county star and the song you think deserves more radio spins. And if you know the contact information for your local radio station (Email, Phone, Twitter), include that too. Every little bit helps.
I would encourage you to do all of those things while we wait to see a more advanced shift in the country music radio landscape and charts.
In the end, we should celebrate every artist and song that reaches #1 on any chart. But we should be celebrating because of the achievement, not because it hit the 1 in 30 women’s #1 lottery.
Logan Staats, the 29 year old singer/songwriter from from Six Nations of the Grand River, Ontario was chosen as the first winner of The Launch, Wednesday night on CTV, and already, his life is changing.
The indie/folk/pop singer showed off his emotional connection to music and life on the premiere episode of The Launch. And as he sang both Kings Of Leon’s Beautiful War in his audition and The Lucky Ones as a finalist in the episode’s competition, he gave Canadians an opportunity to see what he brings to the table as an artist.
Note: We also have to tip our hats to runner-up Vivian Hicks. The young singer/dancer/actor from Georgetown, ON wowed us with her voice, and shows as much talent and potential at 14 as anyone could hope the find. We’ll be watching to see what comes next for her.
With mentors Shania Twain, busbee, and Big Machine Label Group CEO, Scott Borchetta guiding him through the process of auditioning, recording, and performing The Lucky Ones, Staats overcame the challenges of making the song his own, and earning the release of the single.
We had a chance to talk to Logan on the phone about the experience, what it’s been like in the short time since the airing of the episode and release of the song, and what’s coming next.
Logan told us that things have been non-stop for the last few days with media obligations, the airing of the show, a show in Toronto, and more going on. We asked if he’s been getting any sleep, and he told us that Thursday night was his first good, long, deep sleep in the last few days, the kind that you don’t really want to wake up from.
Sleep, and more specifically dreaming, came up again when we asked him about The Lucky Ones hitting #1 on the iTunes charts on Thursday. Logan said that he saw the email in the morning when he woke up and it felt like one of those moments when you’re half awake and aren’t quite sure if you’re still dreaming or if you’re in real life. He said he pinched himself all day to confirm it was real. Logan also told us that the experience of looking at the charts and seeing his name, not only in the company of, but above artists like Ed Sheeran and Post Malone was wild.
We talked about Logan’s episode of The Launch and asked about a few details of his experience. The one moment that we talked about most came during Logan’s time in the studio recording The Lucky Ones. On the broadcast it was easy to see that he was struggling a little bit to make the song his own And he confirmed that for us. He explained it as a kind of reverse from previous experiences in the studio where a producer may be trying to understand the artist and help bring their vision to life. On The Launch, it was busbee trying to get Logan to bring his vision to life.
We also talked about Scott Borchetta’s role in the room, and the scene where he talks to Logan during the recording. Logan told us that there was more to that conversation than what we saw on the show and that Scott was fantastic and working through those moments.
While we had Logan on the line we also took a quick minute to play a round of 5 Quick Question… here we go!
5 Quick Questions with Logan Staats
Q1) What was the first song you performed in front of an audience?
Have a listen…
Q2) What was the first album you bought?
Logan) Daft Punk
Logan told us that he bought the album in about grade 5, and that Oasis’s (What’s The Story) Morning Glory came soon after that.
Q3) Do you have a dream duet partner?
Logan) Taylor Swift
Q4) Is there a city or venue that is high on your wish list to play?
Logan) Massey Hall
He feels like it’s a staple for many Ontario artists, and with some wheels in motion now, he hopes to be on the legendary stage sooner rather than later.
Q5) Is there an artist you love that you think people should be paying more attention to?
Logan came across Stonetrotter on the festival circuit and was all-in right away. He told us that A Ghost In My Own Skin was the track to start with.
We asked Logan what he’s been working on since his episode of The Launch with recorded and while he had to keep his secret (only his mom and dad knew that he had won). He told us that because he was already working on his own music he was able to push forward with those projects, to write new songs, and be prepared for what comes next. Staats says that he has a bunch of new songs that he hopes to be able to choose from when the time comes to work on releasing new music.
Near the end of our call we asked Logan if he has any goals that he’s working towards and songwriting was on the list. He hopes to make a trip to Nashville to work with Big Machine, go on a writing retreat, and then release new music to the world. Here’s hoping he’s able to check all of those things off his list.
We also asked Logan if there was anything big or important to him that he wanted to share with the world or put a spotlight on, and as he mentioned on The Launch, he brought up the subject of the residential schools and their history. The cause is important to him as is the history and making sure that this isn’t a subject that fades into the background without the recognition, action, and awareness it deserves. Logan also gave credit to CTV, Bell Media, and Scott Borchetta for their assistance and willingness to help him use this platform to raise awareness and shine a light on a cause that’s so important to him. He seems genuinely thankful for the opportunity to take CTV to the school his grandparents attended, and to share his experiences and that history with the world.
We don’t know what the future will bring to Logan Staats, but we do know that The Lucky Ones is a great track with a performance that he should be proud of and that could be the stepping-stone for the rest of his career.
Listen to The Lucky Ones now and stay tuned to see what happens next week on The Launch.
The Lucky Ones was written by busbee, Bebe Rexha, MoZella, Justin Franks (Frank E), Casper & B and produced by busbee.
In our second January New Music Spotlight, we’re highlighting three Canadian acts, one Australian act and one American act. Genre-wise we’re recommending some alt-folk, some rock, some folk-pop and a little country music.
In this spotlight, we’ve got five videos with some very different concepts. Sit back, have a watch, and a listen and let us know what you think.
Let’s do this!
Artist: Birds of Bellwoods
Related: Duncan Fellows, Young in the City, The Corcoran Brothers
Song: Feel It Still – Cover – Portugal. The Man
Notes: One of my favourite Toronto bands. I’ve been talking about their talent for a few years now. Birds of Bellwoods cover Portugal. The Man’s hit, which currenlty sits with over 94,000,000 views on YouTube. It’s a great song and an amazing cover.
Artist: Jack White
Hometown: Detroit / Nashville
Related Artists: The Raconteurs, The White Stripes, The Black Keys
Song: Connected by Love
Notes: The video, which was released on Wednesday, already has over 500,000 plays. The imagery is visually compelling and the music is dirty, synthy and bluesy all at the same time. Jack White gives us a great emotional performance and delivers lyrics we can all relate to with grace.
Artist: Our Lady Peace
Related Artists: Big Wreck, Collective Soul, Matthew Good
Song: Falling Into Place
Notes: Our Lady Peace gives us a great story video. It’s classic sounding OLP with a positive message. I challenge you to watch it and not smile.
Artist: Vance Joy
Song: We’re Going Home
Notes: We’ve been fans of Vance Joy since we the first time we heard him. We’re Going Home is from his upcoming album Nation of Two which is out on February 23rd. The instantly recognizable voice is layered with beautiful backgrounds and real people. The chorus is catchy and I’m expecting to hear a lot of this track on the radio.
Artist: Wes Mack
Related Artists: Jojo Mason, Andrew Hyatt, Petric
Song: House on Fire
Notes: First let us say that we’re very happy that there’s new music from Wes Mack. It’s a fun video, with a boys vs. girls story. House on Fire is fresh and summery and it’s something we can use a big helping of. I’ve already got the chorus stuck in my head and if country music is your thing, I think you’ll really like this one too.