Mermaid: Skott at WayHome 2017

Soaked in the Sunday sun, Skott hit the WayHome 2017 main stage for her first North American festival AND first Canadian concert appearance.

As the Swedish songstress worked the stage, an afternoon crowd gathered, sitting and standing, and even singing along (which caught Skott off-guard, we learned later on when we caught up to chat) to her music. The vibe and groove moved through the WayHomies, and the set served as an excellent intro to more music on the last day of the festival.

After Skott was finished on stage and had a chance to catch her breath, we sat down with her (in front of a backdrop that conveniently mirrored the Swedish flag’s colours) to talk about her career, music origins, and what’s coming next.

We found out that Skott grew up with very traditional folk music, not knowing the world of pop or electronic songs. But, when she was 13 and moved to a new school with new friends – that all changed.

Think back to the music in the video games of your youth, the sounds and beats that meshed so well with the action on screen. Those sounds clicked for Skott and captivated her. Before long, she was creating her own music for the video games that her friends were coding. That was the start.

After that original experiment, Skott added lyrics and singing to her music – and that is what brings us to now. With videos released for Glitter & Gloss and Mermaid, and more than 20+ million Spotify streams, she is learning the business of music 1 step at a time, and she credits her band for helping her.

We asked Skott about her music and career and the music that she’s digging right now. She told us that MØ is making music that she digs, and that she’s excited to play with her this fall. She also told us that she probably doesn’t expose herself to as much as we would think – opting instead to listen to listen to more instrumental works when she emerges from the studio she compares to a cave.

Skott was gracious, thoughtful, analytical and soft spoken during our sit down. But on stage, this is an artist with a ton of voice, range, presence, and the potential to further her career and play bigger stages with bigger crowds and more recognition.

Keep an eye on Skott. And if you get the chance, catch her on tour with Phantogram this summer/fall!

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Mermaid: Skott at WayHome 2017

Soaked in the Sunday sun, Skott hit the WayHome 2017 main stage for her first North American festival AND first Canadian concert appearance.

As the Swedish songstress worked the stage, an afternoon crowd gathered, sitting and standing, and even singing along (which caught Skott off-guard, we learned later on when we caught up to chat) to her music. The vibe and groove moved through the WayHomies, and the set served as an excellent intro to more music on the last day of the festival.

After Skott was finished on stage and had a chance to catch her breath, we sat down with her (in front of a backdrop that conveniently mirrored the Swedish flag’s colours) to talk about her career, music origins, and what’s coming next.

We found out that Skott grew up with very traditional folk music, not knowing the world of pop or electronic songs. But, when she was 13 and moved to a new school with new friends – that all changed.

Think back to the music in the video games of your youth, the sounds and beats that meshed so well with the action on screen. Those sounds clicked for Skott and captivated her. Before long, she was creating her own music for the video games that her friends were coding. That was the start.

After that original experiment, Skott added lyrics and singing to her music – and that is what brings us to now. With videos released for Glitter & Gloss and Mermaid, and more than 20+ million Spotify streams, she is learning the business of music 1 step at a time, and she credits her band for helping her.

We asked Skott about her music and career and the music that she’s digging right now. She told us that MØ is making music that she digs, and that she’s excited to play with her this fall. She also told us that she probably doesn’t expose herself to as much as we would think – opting instead to listen to listen to more instrumental works when she emerges from the studio she compares to a cave.

Skott was gracious, thoughtful, analytical and soft spoken during our sit down. But on stage, this is an artist with a ton of voice, range, presence, and the potential to further her career and play bigger stages with bigger crowds and more recognition.

Keep an eye on Skott. And if you get the chance, catch her on tour with Phantogram this summer/fall!

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